Stanley Clarke: Tiny Desk Concert

This Black Music Month, Tiny Desk honors the anniversaries of landmark albums that have shaped the course of music and culture.<br /> <br /> Mitra I. Arthur | June 17, 2025<br /> Once the Tiny Desk logo fades away, one of the things you&#039;ll notice is a wall of amps. Robust sound has always been a hallmark of bassist Stanley Clarke&#039;s musicality; he reminded our audio team not only to pay attention to what the soundboard says but also if it sounds good.<br /> <br /> Clarke&#039;s storied career has been awash with showcases in his virtuosity on the acoustic and electric basses. He&#039;s worked with fellow music titans like Chick Corea, George Duke, Jean-Luc Ponty and Al Di Meola, and has scored for film and television. From 1974-1976, Clarke dropped a series of solo albums (&quot;Stanley Clarke,&quot; &quot;Journey to Love&quot; and &quot;School Days&quot;) that would herald his status as a force in music and foreshadow his 2022 designation as an NEA Jazz Master.<br /> <br /> Indicative of his passion for spotlighting young musicians, Clarke&#039;s latest ensemble, 4EVER (a callback to his band Return to Forever), features saxophonist Emilio Modeste, guitarist Colin Cook, drummer Jeremiah Collier, violinist Evan Garr and keyboardist Cameron Graves.<br /> <br /> Opening the set is &quot;Song to John&quot; from 1975&#039;s &quot;Journey to Love,&quot; with Graves and Cook proving they&#039;re more than up to the task laid before them. &quot;Yesterday Princess,&quot; from Clarke&#039;s 1974 self-titled album, gives violinist Garr the chance to shine as his fingers dance over the fingerboard. The performance moves into the electric realm with 2003&#039;s &quot;1, 2, to the Bass,&quot; a track that manages to be both smooth (hat tip to Modeste) and funky at the same time. Collier&#039;s toms build up to the entry of Clarke at work as they close with one of his biggest hits, &quot;School Days.&quot; A little over 50 years since his solo debut, Clarke reminds the audience that there are still new ways to be dazzled by the innovative and solid fullness of his instrument.<br /> <br /> SET LIST<br /> &quot;Song to John&quot; <br /> &quot;Yesterday Princess&quot; <br /> &quot;1,2, to the Bass&quot;<br /> &quot;School Days&quot;<br /> <br /> MUSICIANS<br /> Stanley Clarke: bass<br /> Cameron Graves: piano, keys<br /> Colin Cook: guitar<br /> Emilio Modeste: saxophone<br /> Evan Garr: violin<br /> Jeremiah Collier: drums<br /> <br /> TINY DESK TEAM<br /> Producer: Mitra I. Arthur<br /> Director: Maia Stern<br /> Audio Technical Director: Josh Newell<br /> Host/Series Producer: Bobby Carter<br /> Video Editor: Joshua Bryant<br /> Videographers: Maia Stern, Joshua Bryant, Kara Frame<br /> Audio Engineer: Josephine Nyounai<br /> Production Assistant: Dora Levite<br /> Photographer: Michael Zamora<br /> Tiny Desk Team: Lars Gotrich, Ashley Pointer<br /> Executive Producer: Suraya Mohamed<br /> Series Creators: Bob Boilen, Stephen Thompson<br /> VP, Visuals and Music: Keith Jenkins<br /> <br /> #nprmusic #tinydesk #stanleyclarke<i class="fa fa-language transViewIcon clickable" title="Translation"></i>

Stanley Clarke: Tiny Desk Concert
Video date 2025/06/17 18:00
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Stanley Clarke: Tiny Desk Concert
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Stanley Clarke: Tiny Desk Concert
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Stanley Clarke: Tiny Desk Concert
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This Black Music Month, Tiny Desk honors the anniversaries of landmark albums that have shaped the course of music and culture.

Mitra I. Arthur | June 17, 2025
Once the Tiny Desk logo fades away, one of the things you'll notice is a wall of amps. Robust sound has always been a hallmark of bassist Stanley Clarke's musicality; he reminded our audio team not only to pay attention to what the soundboard says but also if it sounds good.

Clarke's storied career has been awash with showcases in his virtuosity on the acoustic and electric basses. He's worked with fellow music titans like Chick Corea, George Duke, Jean-Luc Ponty and Al Di Meola, and has scored for film and television. From 1974-1976, Clarke dropped a series of solo albums ("Stanley Clarke," "Journey to Love" and "School Days") that would herald his status as a force in music and foreshadow his 2022 designation as an NEA Jazz Master.

Indicative of his passion for spotlighting young musicians, Clarke's latest ensemble, 4EVER (a callback to his band Return to Forever), features saxophonist Emilio Modeste, guitarist Colin Cook, drummer Jeremiah Collier, violinist Evan Garr and keyboardist Cameron Graves.

Opening the set is "Song to John" from 1975's "Journey to Love," with Graves and Cook proving they're more than up to the task laid before them. "Yesterday Princess," from Clarke's 1974 self-titled album, gives violinist Garr the chance to shine as his fingers dance over the fingerboard. The performance moves into the electric realm with 2003's "1, 2, to the Bass," a track that manages to be both smooth (hat tip to Modeste) and funky at the same time. Collier's toms build up to the entry of Clarke at work as they close with one of his biggest hits, "School Days." A little over 50 years since his solo debut, Clarke reminds the audience that there are still new ways to be dazzled by the innovative and solid fullness of his instrument.

SET LIST
"Song to John"
"Yesterday Princess"
"1,2, to the Bass"
"School Days"

MUSICIANS
Stanley Clarke: bass
Cameron Graves: piano, keys
Colin Cook: guitar
Emilio Modeste: saxophone
Evan Garr: violin
Jeremiah Collier: drums

TINY DESK TEAM
Producer: Mitra I. Arthur
Director: Maia Stern
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Video Editor: Joshua Bryant
Videographers: Maia Stern, Joshua Bryant, Kara Frame
Audio Engineer: Josephine Nyounai
Production Assistant: Dora Levite
Photographer: Michael Zamora
Tiny Desk Team: Lars Gotrich, Ashley Pointer
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#nprmusic #tinydesk #stanleyclarke
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